Kind of Blue
8-31 January 2026
Amanda LuYm, Andie Remulla, Angela Panlilio, Dwight Lu, Francisco Guerrero, Jason Quibilan, Johann Guasch, Neal Oshima, and Tom Epperson
The presentation emerged from celebrated photographer Neal Oshima's personal encounter, which led to a renewed engagement with the cyanotype process in his practice. This experience sparked the idea of examining the presence of blue in the group's body of works, leading them to conclude that it is a predominant influence in many of their interesting images. Hence, the show initiates a conversation about color and its defining role in photography while demonstrating the versatility of each artist's approach to the medium.
Kind of Blue
Blue is visible light with a wave length of 450 to 495 nanometers.
In semiotics blue is considered an open signifier, having no single meaning, but referring to many, possibly contradictory concepts and things.
Blue signifies the emotion of cool, calmness, but also melancholy and deep sorrow.
It can signify infinity or great distance or volume, the blue sky or oceanic blue. Things in the distance look blue (astronauts looking at the earth from outer space refer to it as a blue orb).
In Western cultures, blue often refers to an individual’s sadness, but in Asian cultures, it can signify our relationship to the cosmos and nature.
Several years ago, I had cataract surgery to replace my aged, yellowed lenses.
As I was wheeled out of the operating room, I was struck by the vivid, intense colors I saw. In particular, blues were utterly captivating.
What followed was a rediscovery of the beauty of the many shades of blue and a renewed exploration of the cyanotype process in my personal work.
I proposed the idea of a photographic show centered around blue to some other photographers and I got an immediate positive response. Everyone had interesting images that were predominantly blue.
This exhibit is a collection of those images.
Words by Neal Oshima
Selected Works
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Amanda LuYm, Signs of Life I, 2025 Archival pigment ink print on fine art paper, 10 7/8 x 16 7/8 in (27.5 x 43 cm)
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Angela Panlilio, First Snow, 2025, Giclee Prints on Awagami Handmade Paper, 20 x 30 in (50.8 x 76.2 cm)
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Andie Remulla, Paper Nautilus on a Jellyfish, 2025, Archival Pigment on Hahnemüle Paper, 36 x 21 in (91.44 x 53.34 cm)
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Dwight Lu, Moon Jellyfish, 2024, Archival pigment ink print on Hahnemühle Baryta fine art paper, framed, 14 1/8 x 12 1/4 in (36 x 31 cm)
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Jason Quibilan, Umbra (From the Series “Monuments”), 2025, Archival Pigment Ink Print on Fine Art Paper, 32 x 38 in (81.3 x 96.5 cm)
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Johann Guasch, Fluorite no.22, 2025, Archival pigment ink print on fine art paper, framed, 24 1/4 x 30 1/8 in (61.5 x 76.5 cm)
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Neal Oshima, Ballerina Photogram, Pigment Print on Hahnemüle Paper Archival Fine Art Paper, 25 1/4 x 21 1/4 in (64 x 54 cm)
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Tom Epperson, Sampaguita, 2009, Archival Pigment Ink Print on Fine Art Paper, 24 x 20 in (61 x 50.8 cm)

